INTRODUCTION TO LITERARY STUDY

“Buy with a golden curl”


August 30: Introduction to the major & literary studies

Hemingway, “Hills Like White Elephants”

Whitman, Leaves of Grass

Literary Devices / Canon, Genre, Period

HW: (1) Letter to the Professor & revision; (2) Read Leaves of Grass and linked essays below.


September 6: building Close readings

Building Close Readings: Whitman, Leaves of Grass & Hemingway, “Hills Like White Elephants”

Read Wimsatt and Beardsley, "The Intentional Fallacy" (here)

Cleanth Brooks, "The Heresy of Paraphrase" (here)

HW: (1) Finish reading Leaves of Grass (2) Read, print, and annotate poetry packet (3) Make a glossary to study for the literary devices quiz


September 13 : Morgan Library Trip

***Class meets at 7 pm at The Morgan Library, 225 Madison Avenue between 36th and 37th Streets.***

(4 train to 42nd Street or 6 train to 33rd Street)

Free Fridays at The Morgan Library: Walt Whitman Exhibit

See also The Walt Whitman Initiative online

HW: (1) Field Report (2) Study for Literary Devices Quiz (3) Readings for Sep. 20


SEPTEMBER 20: Poetry & Scansion


Literary Devices quiz

Field Reports due (in hard copy)

Print out, read, and mark up the following readings:

  1. Poetry packet (here): Christopher Marlowe, Sir Walter Raleigh, Edgar Allan Poe, William Shakespeare, Harryette Mullen, and Langston Hughes



SEPTEMBER 27: Historicizing contexts

HW: (1) Make sure each group emails me their poetry from class.
(2) Read and analyze Shakespeare Sonnet 130 along with Haryette Mullen. Write out a short analysis/close reading of the two together to hand in at class.
(3) Choose one Hispanic Heritage Month to attend and write up a report of in lieu of our 11/11 class.
(4) Borrow or buy any major anthology of English Literature and bring it with you to class.
(5) Work through any grammar problems using the link above. Bring any questions you have to next week’s class.

Timelines Activity in groups. (Finish for homework).

Harryette Mullen, "European Folktale Variant" (here)

Dictionary of National Biography


October 4: Crafting the English Essay

HW: 1) Complete Timelines Activity to hand in next week. 2) Research and jot down some biographical info on Ernest Hemingway, Christina Rossetti, Herman Melville, Mary Shelley or any of our poets using the DNB or an anthology. How does this change your reading of a text? 3) Read and annotate your copy of “Bartleby the Scrivener.” Bring it with you to class.

Herman Melville, “Bartleby the Scrivener”

Timelines Activity due.

Critical Essay assigned.

HW: (1) Choose one Hispanic Heritage Month event to attend and write up a report of in lieu of our 11/11 class. Schedule is linked here. The last event is on 10/15!

(2) Start drafting Critical Essay. Rough drafts due in hard copy 11/1.


October 11: Library Session — Historicizing & adding contexts

Class meets in the lobby of Leonard Lief Library!

Be sure to have your Lehman I.D. on you or you will not have access to the library.

Essay Grading Rubric (here)

Below are links on preparing critical editions and scholarly editions from Vanessa Arce:


October 18: THEORY I—Psychoanalytic READINGS

Quiz on last week’s library session. (Please review your notes.)

Read Barry, Psychoanalytic Criticism (Chapter 5)

Anthology Project assigned.

In-class writing activity: Virtue Essay - detailed information on the competition is here.

HW: 1) Write up a keyword paragraph for psychoanalytical criticism. 2) Finish up and proofread your Virtue Essay. Bring your finished draft to class (printed out if you’re done) or on a laptop (if you want some last-minute help on it). 3) Read Marxism chapter from Barry.


October 25: THEORY II—MARXIST READINGS

Read Barry, Marxist criticism (Chapter 8)

Print out, read, and annotate George Orwell, “Bookshop Memories”

Lesson on “The Art of Quoting” and incorporating passages.

Send out Virtue Essays for competition.

HW: 1) Write up keyword paragraphs for Marxist criticism. 2) Read Barry, Chapter 6


November 1: No Class

Watch and write up a field report on Knock Down the House on Netflix if you couldn’t make it to any Hispanic Heritage Month events.

Work on your Critical Essay & Anthology Projects.

Read Goblin Market and bring your copy to class next week.


November 8: Theory III—feminist readings

Read Barry, Chapter 6

Christina Rossetti, Goblin Market

Lesson on “How to Begin/How Not to Begin an Essay”

HW: 1) Write up keyword paragraph for feminist criticism. 2) Read Barry, Chapter 10 and Orwell story linked below 3) Bring rough drafts if you like. Papers due Nov 22.


November 15: THeory IV—Critical Race Theory

Critical Essays due!

Read and take notes on Delgado and Stefancic’s Critical Race Theory: An Introduction

Toni Morrison, Cinderella’s Stepsisters

Toni Morrison, “Sweetness”

Jamaica Kincaid, “Girl”

ZZ Packer, “Drinking Coffee Elsewhere”

In-class activity: Every Single Word Spoken by a Person of Color versions of Lord of the Rings and Maleficent.


November 22: Theory V — postcolonial readings

Read Barry, Chapter 10

George Orwell, "Shooting an Elephant" (here)

Class Activity: Preface to your Anthology

Rough drafts workshop

HW: 1) Write up keyword paragraph for postcolonial criticism. 2) Read the Critical Race Theory introduction and the 3 short stories linked below.


november 28: No class - happy Thanksgiving!

Work on your Anthology Project!

Complete a full draft over the break.

HW: Print out, read, and annotate Anne Fadiman, “The Literary Glutton”


December 6: The Literary Essay

Discussion: Anne Fadiman, “The Literary Glutton”

In Class: Timed Personal Essay/Literary Essay activity

Critical Essays Presentation: reminders for you to take with you for future semesters

Citation & Grammar Presentation.

HW: Check your email and fill out the Course Evaluation before it expires! A link should have been sent to you from the Vice Provost. 


Anthology Projects and Literary Essays are due emailed as PDF attachments on December 13.

Email 2 PDF attachments (not Google docs, not Word docs, not Outlook Express links) by 5 p.m.

Late assignments will not be accepted.